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While enjoying a drink with an old friend at a bar at the harbor, Shanks receives word that a battle is about to begin.
Hoping to minimize the casualties, Shanks stands up and pleads with his old friends for help.
Their names are Dorry and Brogy, proud warriors of Elbaph.
”Gah hah hah hah hah! It’s no bother, brother!”
“Grah hah hah hah hah! Are we doing it, Red Hair?!”
Their comrades let out a fierce cry, looking thrilled for the fight that is about to begin. But Shanks has a message to deliver to Kid, who is instigating the battle — he is offering him a choice.
“Do you really want to take me on now? Or...”
”Do you want to leave the Poneglyph and get lost?”
“Make your choice!”
This work captures the imposing presence of Chief Red Haired Shanks.
Signature on the print (seal)
Due to the nature of the cotton paper, small black spots may be seen in the work. In addition, subtle color irregularities and small ink droplets may be present as a result of the letterpress printing process. Please be aware of this when applying.
In 1992, Oda received the Weekly Shonen Jump Tezuka Award for Wanted! Serialization of ONE PIECE began five years later in 1997. In the same year, the first tankobon (individual) volume of the series was released. In 1999, the title was made into an animated series. The first ONE PIECE exhibition was held in 2012.
In 1992, Oda received the 2nd place prize in the 44th Tezuka Award for Wanted! (under the pseudonym "Tsuki Himizu Kikondo"). In 1993, Oda was selected for the 104th Hop Step Award for Ikki Yako. In 2006, ONE PIECE chosen in the Japanese Media Arts Festival 100 Manga Selection. In 2012, Oda received first prize in the 41st Japan Cartoonists Association Award for ONE PIECE. In 2018, Oda received the Kumamoto Prefecture Honorary Award.
The magazine carrying the series was Weekly Shonen Jump, The year the series started was 1997. A heroic pirate adventure story revolving around a treasure known as "One Piece." In this adventure, Monkey D. Luffy sets out to become the King of the Pirates. The work was made into an animated television series in 1999. On June 15, 2015, One Piece attained the Guinness World Record for most copies published for the same comic book series by a single author. The total worldwide circulation exceeds 500 million copies as of August 2022.
活版平台印刷
Since its inception, the black and white storytelling medium known as manga has been produced by the letterpress, the most primitive method of printing. Even today, Shonen Jump and other manga magazines are created using the letterpress rotary printing method commonly known as katsurin.
Letterpress printing is an old-style printing method in which ink adhered to a printing resin plate is transferred by directly pressing the plate onto the paper. The way manga is drawn has evolved to accommodate this method of printing.
One good example is the text. The standard typeface used in manga is called "Anti-Gothi." It is a combination of a sans-serif typeface (often called "Gothic" in Japan) for kanji characters and a serif typeface (Ming) for hiragana and katakana. It is said that this typeface was chosen in the early days of manga production, when they were printed by letterpress, so as not to compromise readability (see Idea, Issue 336, 2009, Seibundo-Shinkosha.) Screen tones also developed with the use of design materials to imitate the gray and other form patterns using letterpresses, which are not capable of printing in gray.
While rotary letterpress printing can only be used with huge rolls of recycled paper for mass production, a flatbed letterpress is capable of printing on a variety of types of paper. Flatbed letterpress machines were employed all over Japan, including in Tokyo, but they have been replaced by offset printing presses, there are only a few large flatbed letterpress machines to be found.
Is it possible to take manga, which has always been a medium optimized for letterpress, and turn it into artworks using the highest possible quality of letterpress? This was the question we wanted to answer.
Using a letterpress machine, the artwork is created using extremely strong pressure on a paper. This creates a unique surface with a physical impact that is impossible to achieve using offset, lithographic, or silkscreen printing. When you touch it, you can see that the printed surface is concave.
The aim of us is to pass on not only compelling manga artwork, but also the printing technology used by rare printing presses to future generations.
Tsutatomo Printing Co., Ltd. (Nagano) Tokyo Letterpress (Kagurazaka) Nikkodo (Asakusa)