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SHUEISHA Inc. All rights reserved.
Eiichiro Oda
尾田 栄一郎

ONE PIECE / Laboon

2025,A2 (594 x 420mm),editions 20
Work ID
OP_TP_034
Size
A2 (594 x 420mm)
Number of sheets
1
Paper
Gmund Cotton
Sales method
regular
Edition
20

ABOUT THE WORK


Laboon is an Island Whale, a species that can only be found in the West Blue.

These creatures are said to swim in groups with their companions.
This particular Island Whale’s companions were a merry band of pirates.
They were known as the Rumbar Pirates. It was with this crew that Brook, the musician of the Straw Hat Pirates, once sailed.

Laboon was no larger than a small boat when he followed his companions down Reverse Mountain. They couldn’t take him on such a dangerous voyage along the Grand Line. So the Rumbar Pirates made a promise to Laboon and parted ways.

“After we go around the world, we will come back here.”

Laboon held faith in their promise and waited for fifty years against a wall. Faced with the fear of losing sight of what it means to wait, Laboon had been ramming his own body against the Red Line, when Luffy challenges him to a fight, which ends in a draw. The skull mark on his head is the “promise of battle” he makes with Luffy.

Upon learning how the promise turned out, Brook once again resolves to fulfill it.

“You’re waiting at the end of our journey around the world, aren’t you? That’s why I’m not turning back!”

“I know I’ll come see you. Please wait just a little more.”

Laboon let out a joyful cry toward Reverse Mountain—perhaps he felt the promise was finally coming true, or maybe he sensed the presence of his old friends.

  • Signature on the print (seal)

  • Due to the nature of the cotton paper, small black spots may be seen in the work. In addition, subtle color irregularities and small ink droplets may be present as a result of the letterpress printing process. Please be aware of this when applying.

SOURCE ART WORKS’ INFO

First appearance
Weekly Shonen Jump, Issue 13, 2008
Year of first appearance
2008
Source book
Jump Comics "ONE PIECE" Vol.50
Date of issue
2008.06.04
Production method
Analog
Material
Pen on paper, phototype settings
Capture device
Fuji film SCANART 560i

ARTIST

尾田 栄一郎Eiichiro Oda

1975.01.01 ~

In 1992, Oda received the Weekly Shonen Jump Tezuka Award for Wanted! Serialization of ONE PIECE began five years later in 1997. In the same year, the first tankobon (individual) volume of the series was released. In 1999, the title was made into an animated series. The first ONE PIECE exhibition was held in 2012.

In 1992, Oda received the 2nd place prize in the 44th Tezuka Award for Wanted! (under the pseudonym "Tsuki Himizu Kikondo"). In 1993, Oda was selected for the 104th Hop Step Award for Ikki Yako. In 2006, ONE PIECE chosen in the Japanese Media Arts Festival 100 Manga Selection. In 2012, Oda received first prize in the 41st Japan Cartoonists Association Award for ONE PIECE. In 2018, Oda received the Kumamoto Prefecture Honorary Award.

TITLE

ONE PIECE

Magazine carrying the works: Weekly Shonen Jump
Year the series started: 1997

The magazine carrying the series was Weekly Shonen Jump, The year the series started was 1997. A heroic pirate adventure story revolving around a treasure known as "One Piece." In this adventure, Monkey D. Luffy sets out to become the King of the Pirates. The work was made into an animated television series in 1999. On June 15, 2015, One Piece attained the Guinness World Record for most copies published for the same comic book series by a single author. The total worldwide circulation exceeds 500 million copies as of August 2022.

PUBLISHER

Shueisha inc.

LABEL

The Press (Tokyo)

A Surface with a Physical Impact

With the cooperation of Kyodo Printing Co., Ltd., the company that prints Weekly Shonen Jump, we found a working letterpress flatbed press and the skilled staff able to run the press at Tsutatomo Printing Co., Ltd. in Nagano. Using a letterpress machine manufactured in Germany in the 1960s, the artwork is created using extremely strong pressure on Gmund Cotton Max White, a type of art paper made from 100% cotton. This creates a unique surface with a physical impact that is impossible to achieve using offset, lithographic, or silkscreen printing. When you touch it, you can see that the printed surface is concave.

In spring 2023, we received word that Tsutatomo Printing was ceasing operations, and after an urgent search for a company capable of letterpress printing, we found two companies in Tokyo. Tokyo Letterpress (Kagurazaka) operates a German-made printing press. Nikkodo (Asakusa) uses a Japanese-made printing press. Both are valuable printing machines with different features and methods of printing. With the cooperation of each company, verification and research have enabled us to continue producing "The Press" series.

The aim of this collection is to pass on not only compelling manga artwork, but also the printing technology used by rare printing presses to future generations.

Revisiting manga's roots with flatbed letterpress printing

Since its inception, the black and white storytelling medium known as manga has been produced by the letterpress, the most primitive method of printing. Even today, Shonen Jump and other manga magazines are created using the letterpress rotary printing method commonly known as katsurin.

However, flatbed letterpress machines, which were once frequently used for proof printing and small print jobs, are rarely in use today. These machines, especially those capable of printing in A2 size, are in very limited operation in Japan and around the world.

Is it possible to take manga, which has always been a medium optimized for letterpress, and turn it into artworks using the highest possible quality of letterpress?
This was the question we wanted to answer.

The original box includes a blockchain-linked sales certificate
All works are registered to Startrail PORT, NFT management service. Works include a blockchain-linked sales certificate with an affixed NFC tag sticker (letterpress printed by Kazui Press). You can view the information recorded on the NFT by scanning the NFC tag sticker with a smartphone. We will send you your product in an original Shueisha Manga-Art Heritage box created by Misuzudo.

Work Size A2 (420 mm x 594 mm)
Paper Used Gmund Cotton Max White
Printing Method Letterpress printing
Package Contents
Main product
Blockchain-linked sales certificate (letterpress printed by Kazui Press, linked with NFC tag sticker)
Matte paper
Special paper to absorb harmful substances
Instruction manual
Storage case

ART BLOCKCHAIN NETWORK GUARANTEED

To ensure the highest possible quality, we produce each work in a limited edition. To keep a permanent record of the entire history of the work on the blockchain along with information about the work, we use Startrail PORT, NFT management service operated by Startbahn Inc. This allows you to keep a permanent record of the various information that determines the value of a work.