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Eiichiro Oda
尾田 栄一郎

ONE PIECE / Friends

edition 20
Work ID
OP_TP_012
Size
A2 (594 x 420mm)
Number of sheets
1
Paper
Gmund Cotton
Edition
20

ABOUT THE WORK


This scene is from Chapter 590.

When Luffy is overcome with grief after his brother Ace is killed, Jinbe prompts him to think.
"What's gone is gone," he tells him. "Remember what you still have."

That's when Luffy comes to a realization.
"I still have my friends!"

In the Japanese text, the character "ru" in Luffy's dialogue is marked with double dots (dakuten), a form of the character that is not normally in use. This form is used to evoke the trembling in Luffy's voice.

In the background, we see Luffy picturing his friends' faces in his mind. They all have smiles on their faces.

Using the letterpress alone it would have been impossible to strike a balance between the bold lines and the screen tones that fill in the background. For this reason, we moved the screen tones onto separate plates and printed them first using offset printing. The lines from the pen illustrations are printed with the letterpress.

As part of normal publishing practise, manga drawings (genga) are printed at a reduced size to fit the B5 (182 mm x 257 mm) size of manga magazines. For this series, we created resin plates for printing the works in their original sizes on a flatbed letterpress. The artwork is pressed with high printing pressure onto Gmund Cotton, made of 100% cotton. As can be seen from the photo in the image taken with a macro lens, the artwork has a unique, engraved surface.

  • Signature on the print (seal)

  • Due to the nature of the cotton paper, small black spots may be seen in the work. In addition, subtle color irregularities and small ink droplets may be present as a result of the letterpress printing process. Please be aware of this when applying.

SOURCE ART WORKS’ INFO

First appearance
Weekly Shonen Jump Vol.31, 2010
Year of first appearance
2010
Source book
Jump Comics "ONE PIECE" Vol.60
Date of issue
2010.11.04
Production method
Analog
Material
Pen on paper, phototype settings
Capture device
Fuji film SCANART 560i
Capture date
2021-01-20
Publisher
Shueisha inc.

ARTIST

尾田 栄一郎Eiichiro Oda

1975.01.01 ~

In 1992, Oda received the Weekly Shonen Jump Tezuka Award for Wanted! Serialization of ONE PIECE began five years later in 1997. In the same year, the first tankobon (individual) volume of the series was released. In 1999, the title was made into an animated series. The first ONE PIECE exhibition was held in 2012.

In 1992, Oda received the 2nd place prize in the 44th Tezuka Award for Wanted! (under the pseudonym "Tsuki Himizu Kikondo"). In 1993, Oda was selected for the 104th Hop Step Award for Ikki Yako. In 2006, ONE PIECE was chosen in the Japanese Media Arts Festival 100 Manga Selection. In 2012, Oda received first prize in the 41st Japan Cartoonists Association Award for ONE PIECE. In 2018, Oda received the Kumamoto Prefecture Honorary Award.

TITLE

ONE PIECE

Magazine carrying the works: Weekly Shonen Jump
Year the series started: 1997

The magazine carrying the series was Weekly Shonen Jump, the year the series started was 1997. A heroic pirate adventure story revolving around a treasure known as "One Piece." In this adventure, Monkey D. Luffy sets out to become the King of the Pirates. The work was made into an animated television series in 1999. On June 15, 2015, One Piece attained the Guinness World Record for most copies published for the same comic book series by a single author. The total worldwide circulation exceeds 600 million copies as of March 2026.

MEDIUM

Flatbed Letterpress Print


活版平台印刷

Since its inception, the black and white storytelling medium known as manga has been produced by the letterpress, the most primitive method of printing. Even today, Shonen Jump and other manga magazines are created using the letterpress rotary printing method commonly known as katsurin.

Letterpress printing is an old-style printing method in which ink adhered to a printing resin plate is transferred by directly pressing the plate onto the paper. The way manga is drawn has evolved to accommodate this method of printing.

One good example is the text. The standard typeface used in manga is called "Anti-Gothi." It is a combination of a sans-serif typeface (often called "Gothic" in Japan) for kanji characters and a serif typeface (Ming) for hiragana and katakana. It is said that this typeface was chosen in the early days of manga production, when they were printed by letterpress, so as not to compromise readability (see Idea, Issue 336, 2009, Seibundo-Shinkosha.) Screen tones also developed with the use of design materials to imitate the gray and other form patterns using letterpresses, which are not capable of printing in gray.

While rotary letterpress printing can only be used with huge rolls of recycled paper for mass production, a flatbed letterpress is capable of printing on a variety of types of paper. Flatbed letterpress machines were employed all over Japan, including in Tokyo, but they have been replaced by offset printing presses, there are only a few large flatbed letterpress machines to be found.

Is it possible to take manga, which has always been a medium optimized for letterpress, and turn it into artworks using the highest possible quality of letterpress? This was the question we wanted to answer.

Using a letterpress machine, the artwork is created using extremely strong pressure on a paper. This creates a unique surface with a physical impact that is impossible to achieve using offset, lithographic, or silkscreen printing. When you touch it, you can see that the printed surface is concave.

The aim of us is to pass on not only compelling manga artwork, but also the printing technology used by rare printing presses to future generations.

Tsutatomo Printing Co., Ltd. (Nagano)
Tokyo Letterpress (Kagurazaka)
Nikkodo (Asakusa)

ART BLOCKCHAIN NETWORK GUARANTEED

To ensure the highest possible quality, we produce each work in a limited edition. To keep a permanent record of the entire history of the work on the blockchain along with information about the work, we use Startrail PORT, NFT management service operated by Startbahn Inc. This allows you to keep a permanent record of the various information that determines the value of a work.