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SHUEISHA Inc. All rights reserved.
Eiichiro Oda
尾田 栄一郎

ONE PIECE / Collage

2026,A1 (841 x 594mm), A2 (594 x 420mm),editions 20
Work ID
OP_RC_107_A1
Size
A1 (841 x 594mm), A2 (594 x 420mm)
Number of sheets
2
Paper
Velvet Fine Art Paper
Sales method
regular
Edition
20
Lottery start date and time
Lottery end date and time

Approx.1,869.81USD (This reference price on Mar 12, 2026 was 1yen = 0.0063$. The price varies depending on the exchange rate.)

In the event of delivery overseas, all shipping and handling fees will be paid by Shueisha. However, duty charges, taxes, and customs fees are to be paid by the customer. You will be asked to pay all such fees in entirety to the courier company when receiving your delivery. Please be aware of this cost when applying for the lottery. Click here for details.

For deliveries within Japan, the displayed total amount includes consumption tax. Both shipping and handling fees will be paid by Shueisha.

*Please refer to the Guide to learn about the entire process.
*Color renderings vary depending on digital devices and their settings. Please note that the color of the artworks may appear different on your screen when compared to the actual work.
*The box and certificate of sale are in the process of being calibrated. They may be subject to change.

ABOUT THE WORK


The letters in the words ONE PIECE appear in different colors and fonts.
The Straw Hat Pirates are spread out across the artwork like paper cutouts of different times, places, and even sizes.

At the top left is Luffy with a big smile.

In the center, Sanji’s leg extends toward the viewer, framed by buildings and a glimpse of blue sky, with Zoro, Usopp, and Brook beside him.
Next to them, Robin is seen under the orange sky of sunset.

Franky, who is wearing sunglasses with a grin, seems to be peeking at Nami, who is positioned as if she were lying down, and Chopper, who may be having trouble sleeping. Could the cutout of the heart seen above be having an effect?
Jimbe is wearing similar sunglasses, but unlike Franky, his expression is dignified.

This unique piece is a single illustration made to look like a collage.

・The work is made up of a set of 2prints
・Signature on prints (seal)

SOURCE ART WORKS’ INFO

First appearance
Weekly Shonen Jump, Issue 13, 2023
Year of first appearance
2023
Production method
Analog
Sheet size
A3 (420 x 297mm)
Material
Pen, Marker on Paper
Capture device
PHASE ONE Cultural heritage
Capture date
2025-07-29

ARTIST

尾田 栄一郎Eiichiro Oda

1975.01.01 ~

In 1992, Oda received the Weekly Shonen Jump Tezuka Award for Wanted! Serialization of ONE PIECE began five years later in 1997. In the same year, the first tankobon (individual) volume of the series was released. In 1999, the title was made into an animated series. The first ONE PIECE exhibition was held in 2012.

In 1992, Oda received the 2nd place prize in the 44th Tezuka Award for Wanted! (under the pseudonym "Tsuki Himizu Kikondo"). In 1993, Oda was selected for the 104th Hop Step Award for Ikki Yako. In 2006, ONE PIECE chosen in the Japanese Media Arts Festival 100 Manga Selection. In 2012, Oda received first prize in the 41st Japan Cartoonists Association Award for ONE PIECE. In 2018, Oda received the Kumamoto Prefecture Honorary Award.

TITLE

ONE PIECE

Magazine carrying the works: Weekly Shonen Jump
Year the series started: 1997

The magazine carrying the series was Weekly Shonen Jump, The year the series started was 1997. A heroic pirate adventure story revolving around a treasure known as "One Piece." In this adventure, Monkey D. Luffy sets out to become the King of the Pirates. The work was made into an animated television series in 1999. On June 15, 2015, One Piece attained the Guinness World Record for most copies published for the same comic book series by a single author. The total worldwide circulation exceeds 500 million copies as of August 2022.

PUBLISHER

Shueisha inc.

LABEL

Real Color Collection (physical origin)

Never-before-seen color and detail

A collection featuring realistic colors that cannot be produced with the offset printing process used for comics and manga magazines. Available in two sizes, A2 (420 mm x 594 mm) and A1 (594 mm x 841 mm). This collection is printed on the 100% cotton velvet fine art paper used in museum collections.

At Shueisha, we have been digitally archiving manga since 2007. We initially captured color originals with the EverSmart Supreme II high-precision scanner. Since 2015, we have been using the Phase One IQ180 high-resolution digital camera. As of 2020, we are using the iXG100MP model from Phase One's Cultural Heritage series. We are able to capture and save ranges of color that cannot be reproduced by commercial printing, and we can even capture the texture of the paper that the artist used.

For the Real Color Collection label, we send these captured and adjusted images to a printer that has undergone color management. The pigmented inks used in Epson inkjet printers are light-resistant and retain their original color even in the kind of light conditions that would cause dye color inks used on the originals to fade.

  • Please note we cannot guarantee light resistance and durability when exposed to strong UV light outdoors, etc.

Not only do the ranges of color exceed those produced by the offset printing methods used for comic covers, but we are also able to achieve levels of light resistance and durability that even exceed those of the original pictures drawn on paper.

A set of original size prints and enlarged original prints
The collection, based on works drawn on paper, contains a set of two types of prints, one in the original size (often B4) drawn by the artist, and another enlarged to A2–A1 size. One can witness the precision that went into the original size prints. The blown-up prints allow one to feel the impact of the work and notice details that only become apparent when the artwork is enlarged.

  • Please note that not all collections include both kinds of prints. For details, refer to the information provided for each individual work.

The original box includes a blockchain-linked sales certificate
All works are registered to Startrail PORT, NFT management service. Works include a blockchain-linked sales certificate with an affixed NFC tag sticker (letterpress printed by Kazui Press). You can view the information recorded on the NFT by scanning the NFC tag sticker with a smartphone. We will send you your product in an original Shueisha Manga-Art Heritage box.

Work Size A2 (420 mm x 594 mm) or A1 (594 mm x 841 mm)
Paper used Velvet fine art paper
Printing Method Archival Inkjet Print
Package Contents
Main product
Blockchain-linked sales certificate (letterpress printed by Kazui Press, linked with NFC tag sticker)
Matte paper
Special paper to absorb any harmful substances
Instruction manual
Storage case (Foil stamped interior/exterior)

ART BLOCKCHAIN NETWORK GUARANTEED

To ensure the highest possible quality, we produce each work in a limited edition. To keep a permanent record of the entire history of the work on the blockchain along with information about the work, we use Startrail PORT, NFT management service operated by Startbahn Inc. This allows you to keep a permanent record of the various information that determines the value of a work.