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Zero is wearing an army green jacket and a unique red leather dress. Having appeared in Innocent Rouge as a masked child of ambiguous gender, the character has grown up to be a beautiful woman.
Her large green eyes are peeking out from her open mask, and her curly blond hair is flowing freely. She walks briskly with her fingers outstretched, surrounded by colorful neon flowers.
This work was featured in the November 2020 issue of the fashion magazine SPUR, in the special feature "Power of Manga/If Manga Depicted Mode."
In the included drawing prints, you can see how the artist began to draw this work.
*The work is made up of a set of 2prints
*Signature on prints (handwritten)
In 1990, Keith!! was selected for Shonen Jump's 70th Hop Step Award. The work was his manga debut. He is best known for his realistic illustrations in Kokou no Hito, Innocent, and Innocent Rouge. Since Innocent, his drawing process has been fully digital. He says that switching to digital drawing has opened up a new world for him, enabling him to "fix his drawings as many times as he wants" and to be "thoroughly expressive."
He received the Excellence Award at the 14th Japan Media Arts Festival for Kokou no Hito. Innocent was named a Jury Selection at the 17th Japan Media Arts Festival. It was also nominated for the 18th Osamu Tezuka Cultural Prize and placed 7th in the Manga Taisho Awards in 2015. Innocent Rouge was named a Jury Selection at the 21st and 22nd Japan Media Arts Festivals. As of 2021, his work #DRCL is being serialized in Grand Jump.
The manga tells the story of executioner siblings who live a life of "innocence" in Paris during the French Revolution in the 18th century. The protagonists are Charles-Henri Sanson, who led the beheading of King Louis XVI, and his sister Marie-Josephe. Publication of the story's sequel, Innocent Rouge, began in 2015 in Grand Jump. The works have been hailed by readers for their spectacular artwork that is often compared to paintings. Innocent Musicale, a stage production directed by Amon Miyamoto, was performed in 2019.
Never-before-seen color and detail
A collection featuring realistic colors that cannot be produced with the offset printing process used for comics and manga magazines. Available in two sizes, A2 (420 mm x 594 mm) and A1 (594 mm x 841 mm). This collection is printed on the 100% cotton velvet fine art paper used in museum collections.
The digital paintings are readjusted and added to by the artist using the original RGB data.This makes it possible to express colors beyond the realm of CYMY normally used in publication printing.
For the Real Color Collection label, we send these captured and adjusted images to a printer that has undergone color management. The pigmented inks used in Epson inkjet printers are light-resistant and retain their original color even in the kind of light conditions that would cause dye color inks used on the originals to fade.
Not only do the ranges of color exceed those produced by the offset printing methods used for comic covers, but we are also able to achieve levels of light resistance and durability that even exceed those of the original pictures drawn on paper.
The original box includes a blockchain-linked sales certificate
All works are registered to Startrail PORT, NFT management service. Works include a blockchain-linked sales certificate with an affixed NFC tag sticker (letterpress printed by Kazui Press). You can view the information recorded on the NFT by scanning the NFC tag sticker with a smartphone. We will send you your product in an original Shueisha Manga-Art Heritage box.
Work Size A2 (420 mm x 594 mm) or A1 (594 mm x 841 mm)
Paper used Velvet fine art paper
Printing Method Archival Inkjet Print
Package Contents
Main product
Blockchain-linked sales certificate (letterpress printed by Kazui Press, linked with NFC tag sticker)
Matte paper
Special paper to absorb any harmful substances
Instruction manual
Storage case
