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Oh!great
大暮維人

Biorg Trinity: Kiwako Riding a Motorcycle

A2 (594 x 420mm),editions 25
Work ID
BT_TP_001
Size
A2 (594 x 420mm)
Number of sheets
1
Paper
Gmund Cotton
Sales method
regular
Edition
25

ABOUT THE WORK


A Bugler is an entity that can absorb matter through the holes in their hands and fuse with it. The Biorg Trinity depicts a world where such beings are encountered in everyday life. One of the heroines, Kiwako Imoto, is a Bugler who has fused with a motorcycle.

The motorcycle is depicted with its streamlined cover, hubless wheels, and a straight frame. The design is futuristic. With her goggles on and hair wrapped around her neck like a scarf, Kiwako outstretches her arms with her hands firmly on the bullhorn handlebars, her fingers resting lightly on the brake lever to the left.

In contrast to the smooth geometric lines, the hand-drawn sound effects are expressed with roughly drawn text, indicating that the motorcycle has an engine with an insane amount of horsepower, transmitting heavy vibrations throughout Kiwako's body.

The soft, warm body of a woman is contrasted with the hard metal of the motorcycle. This is a common theme that Oh! Great likes to include in his illustrations. But here he adds both speed and time.

Biorg Trinity is a unique Japanese manga in that much of the dialogue in the speech bubbles is laid out horizontally, while the pages are turned from right to left, in standard manga style. Thus, frames flow from right to left, and time flows from right to left.

After a large frame depicting Kiwako's entire body and motorcycle from diagonally above and in front, followed by a close-up of her face, the vertically cropped frame switches to a shot from behind. The ground is drawn geometrically, with pillars of light in the sky. As Kiwako approaches the horizon, she appears to be sitting still instead of speeding. In the following frame, only speed lines can be seen. Nothing is drawn in the next two frames depicting the passage of time.

The motorcycle must have been roaring as it speeds along, but time stands still, and the space that must have been real has now become abstract, and even abstract time and space seems to fade into the distance.

We have chosen this specific scene for our first opportunity to produce a work of art by Oh!great on a large flatbed letterpress. It is a scene where a soft female body, a hard machine, and roughly drawn sound effects all coexist.

To achieve both delicacy and impact, the screentone sections were separated and offset printed, and lines were printed with a letterpress. The patterns and lines have been produced using two different printing methods on Gmund Cotton Max White, a fine art paper made of 100% cotton.

The word "metaverse" has been in the spotlight again, and the Biorg Trinity is a work that transverses, destroys and recombines multiple metaverses. The excitement of this scene heralds the emergence of a new horizon, a new black hole.

  • Signature on the print (handwritten)

  • Due to the nature of the cotton paper, small black spots may be seen in the work. In addition, subtle color irregularities and small ink droplets may be present as a result of the letterpress printing process. Please be aware of this when applying.

SOURCE ART WORKS’ INFO

First appearance
Ultra Jump October 2014 Issue
Year of first appearance
2014
Source book
Biorg Trinity Volume 5, Young Jump Comics Ultra
Date of issue
2014.10.17
Production method
Analog
Material
Pen on paper
Capture device
Fuji film SCANART 560i
Capture date
2014-10-01

ARTIST

大暮維人Oh!great

1972.02.22 ~

Oh!great made his debut in 1995 with SEPTEMBER KISS, which appeared in Manga Hot Milk (Byakuya-Shobo).

He has serialized Tenjho Tenge and Biorg Trinity (co-created with Otaro Maijo) in Ultra Jump (Shueisha), and Air Gear in Weekly Shonen Magazine (Kodansha). He won the 30th Kodansha Manga Award in the shonen category for Air Gear.

He has also designed numerous characters for anime and games. He is currently serializing Bakemonogatari (original story by Ishin Nishio) in Weekly Shonen Magazine.

TITLE

Biorg Trinity

Magazine carrying the works: Ultra Jump
Year the series started: 2011

The Bio Bug is a disease that causes holes to appear in both palms and allows people to inhale and fuse with whatever they want. Featuring an ensemble of characters, the series is a coming-of-age drama set in a world with a fragile balance. It's a challenging work jointly created by the novelist Otaro Maijo and Oh!great with the aim of making a novel in the form of manga, rather than the manga version of a novel.

PUBLISHER

Shueisha inc.

LABEL

The Press

Revisiting manga's roots with flatbed letterpress printing

Since its inception, the black and white storytelling medium known as manga has been produced by the letterpress, the most primitive method of printing. Even today, Shonen Jump and other manga magazines are created using the letterpress rotary printing method commonly known as katsurin.

However, flatbed letterpress machines, which were once frequently used for proof printing and small print jobs, are rarely in use today. These machines, especially those capable of printing in A2 size, are in very limited operation in Japan and around the world.

Is it possible to take manga, which has always been a medium optimized for letterpress, and turn it into artworks using the highest possible quality of letterpress?
This was the question we wanted to answer.

Pressing using a Heidelberg printing press manufactured in the 1960s
With the help of Kyodo Printing, a company which prints Shonen Jump, we found a working letterpress in Nagano Prefecture, as well as skilled staff who are capable of operating it. Using this German-made Heidelberg printing press from the 1960s, we use high pressure method to print on 100% cotton Gmund Cotton Max White art paper. This method produces a completely unique page surface with a physical effect that is impossible to achieve using offset printing, lithography, or silkscreen printing. Touching the paper makes palpable how the art is embossed into the page.

These collections were made with the purpose of passing down to future generations the increasingly rare machinery and techniques used to create the manga in addition to the artworks themselves.

The original box includes a blockchain-linked sales certificate
All works are registered to Startrail PORT, NFT management service. Works include a blockchain-linked sales certificate with an affixed NFC tag sticker (letterpress printed by Kazui Press). You can view the information recorded on the NFT by scanning the NFC tag sticker with a smartphone. We will send you your product in an original Shueisha Manga-Art Heritage box created by Misuzudo.

Work Size A2 (420 mm x 594 mm)
Paper Used Gmund Cotton Max White
Printing Method Letterpress printing
Package Contents
Main product
Blockchain-linked sales certificate (letterpress printed by Kazui Press, linked with NFC tag sticker)
Matte paper
Special paper to absorb harmful substances
Instruction manual
Storage case

ART BLOCKCHAIN NETWORK GUARANTEED

To ensure the highest possible quality, we produce each work in a limited edition. To keep a permanent record of the entire history of the work on the blockchain along with information about the work, we use Startrail PORT, NFT management service operated by Startbahn Inc. This allows you to keep a permanent record of the various information that determines the value of a work.